Doug Reviews: Ben-Hur (2016)

Several years ago on a Saturday Night Live episode hosted by Jerry Seinfeld, there was a game show sketch called “Stand Up and Win.” Adam Sandler was one of the contestants and answered almost every question with, “Who are the ad wizards who came up with this one?” That line pretty much sums up Director Timur Bekmambetov‘s remake of Ben-Hur. Continue reading

Doug Reviews: Sausage Party (2016)

Producers/Co-Writers Seth Rogen and Evan Goldberg are back with another raunchy comedy in Sausage Party. The key difference here is that Sausage Party is a computer-animated film. Will this signal an R-rated cartoon renaissance, or just be another blip on the box office landscape? Continue reading

Doug Reviews: War Dogs (2016)

From Director Todd Phillips comes War Dogs, a film based on a true story about two twenty-somethings that scored a multi-million dollar weapons contract and the bizarre chain of events that surrounded their business. In looking at Phillips’ previous films, is War Dogs more like The Hangover or The Hangover III? Continue reading

Doug Reviews: Suicide Squad (2016)

Back in March, Batman v Superman: Dawn of Justice took a beating from critics and while it made a ton of money, it wasn’t quite the runaway hit that Warner Brothers was expecting. All the film’s supporters said, “Well, just wait until Writer-Director David Ayer’s Suicide Squad! That will get the DC Extended Universe on track!” Yeah, about that…. Continue reading

Doug Reviews: Stranger Things (2016)

If Stephen King and Steven Spielberg ever collaborated on a project, it would probably look a lot like Netflix’s latest original series, Stranger Things. Do the style pairing and inevitable nostalgia make for a great show or just an echo of past great works? Continue reading

Doug Reviews: Jason Bourne (2016)

After years of hints, denials, and rumors Jason Bourne has finally returned to theaters with Director Paul Greengrass back at the helm. Is his latest adventure a worthy addition to the series or should the filmmakers have just left well enough alone? Continue reading