When I saw the trailer for Writer-Director Mike White’s Brad’s Status, I really considered including it in my 2017 Fall Movie Preview. It looked like a good comedy with a great cast, but something held me back. Now that I’ve seen it, I not only wish I had included it in my preview, I also wish I could make everyone I know go see it. Continue reading
Reviews
Doug Reviews: American Made (2017)
Is Tom Cruise at the top of his game with American Made or does it represent a decline in the superstar’s powers? Continue reading
Doug Reviews: Kingsman: The Golden Circle (2017)
In 2015, Director Matthew Vaughn adapted Kingsman: The Secret Service from the Mark Millar/Dave Gibbons comic series, The Secret Service. Now, with co-writer Jane Goldman, he has crafted a sequel, Kingsman: The Golden Circle. Is it better than the original or just more of the same? Continue reading
Doug Reviews: Stronger (2017)
From Director David Gordon Green comes Stronger, the story of Jeff Bauman, a survivor of the 2013 Boston Marathon bombing whose story inspired millions. Continue reading
Doug Reviews: The Hitman’s Bodyguard (2017)
From Director Patrick Hughes and Screenwriter Tom O’Connor comes The Hitman’s Bodyguard, an action comedy that has some nice laughs and plenty of action, but is not unique enough to stand out in the crowd. Continue reading
Doug Reviews: American Assassin (2017)
When I saw the first trailer for American Assassin, the first film based on author Vince Flynn’s Mitch Rapp character, I had hopes that this would be a different kind of spy film—the making of an assassin. Then, the second trailer looked like the film would be a schlocky piece of crap. Which one was the better barometer? Continue reading
Doug Reviews: Brigsby Bear (2017)
The brainchild of Saturday Night Live’s Kyle Mooney, Brigsby Bear is a strange comedy with a great cast and a unique concept. Is it any good or just weird? Continue reading
Doug Reviews: Logan Lucky (2017)
Director Steven Soderbergh returns to feature filmmaking with Logan Lucky. Is Soderbergh still at the top of his game or has TV work dulled his cinematic edge? Continue reading
Doug Reviews: Wind River (2017)
Written and directed by Taylor Sheridan, Wind River follows a tracker and an FBI agent as they hunt for a murderer on the Wind River Indian Reservation in Wyoming. Does Sheridan make the successful jump to directing or should he just stick to screenwriting? Continue reading
Doug Reviews: Detroit (2017)
Academy-Award-Winning Director Kathryn Bigelow re-teams with Screenwriter Mark Boal to deliver one of 2017’s most important and, sadly, relevant films, Detroit. Continue reading